Tim Greiving
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A Black avant-garde musician has successfully applied his visceral, voice-centered style to the films he has scored lately. His approach eerily suits the newest Candyman movie.
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Willy Wonka and the Chocolate Factory turns 50 in June, and Hook turns 30 in December. Both were shaped by the English lyricist and composer Leslie Bricusse, who remains vital and busy at age 90.
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Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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Aretha Franklin liked how Kris Bowers played piano at a competition in 2011. It was his big break — a fact that he says was with him while he scored a upcoming biopic about the late Queen of Soul.
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James Newton Howard has composed the music for more than 100 films: thrillers, Disney animation and big fantasy series. His latest is the Tom Hanks western, News of the World.
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Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.
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Looney Tunes turns 90 this year and HBO Max is launching a new series of cartoons, along with a new soundtrack composed by Joshua Moshier.
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The first woman composer to win an Oscar for best original score is releasing her first album of music not written for a film or stage production.
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Uncut Gems hurtles along with Howard Ratner's compulsion to gamble, bet his winnings instead of paying off debts and chase down the next high. A lot of the score is, counterintuitively, New Age.