Jazz Tonight with Leslie Keros

Monday-Thursday 8-midnight on WVTF Music
  • Hosted by Leslie Keros

Born and raised in the Detroit area, Leslie Keros has been steeped in music since she can remember, taking classical piano lessons, singing in youth and adult choirs, and attending fine arts camp in the summer. She first heard jazz on the radio in her youth, and her love for the music continued after she moved to Chicago. She has hosted jazz and blues shows since 2000. Playlist can be found here.

Electric Miles. Few word pairings in the jazz lexicon are apt to inspire so much contention and challenge and ferment. What the phrase refers to, of course, is a period in the career of trumpeter Miles Davis, spanning the last third of his life. And while there are other important antecedents, the big bang of this period is an album recorded 50 years ago by the name of Bitches Brew.

"Jazz built for arenas."

A friend and former rock critic shared this admiring assessment of Sons of Kemet, after seeing the band for the first time at this year's Big Ears Festival. There's obviously truth in it: Over the last eight years, Sons of Kemet has not only fueled the fires of a raging London jazz scene; it has also scaled up the pyrotechnics, in strictly musical terms.

Cannonball Adderley was a mere 46 when he died, of a brain hemorrhage, in 1975. An alto saxophonist of robust intellect and irrefutable soul, he left a monumental legacy during his two decades in the spotlight — as a member of the Miles Davis Sextet, an exemplar of 1960s soul jazz and the leading avatar of a brand of post-bop modernism with popular appeal.

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