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During the Jim Crow Era, Indigenous children were forced to leave Virginia to get their diplomas.

During the Second World War, Indigenous men in Virginia were not allowed to identify as Native Americans. Some fought back.This episode Includes the Chickahominy Indian Tribe, the Chickahominy Indian Tribe - Eastern Division, the Rappahannock Tribe, the Pamunkey Indian Tribe, the Monacan Indian Nation and the Upper Mattaponi Indian Tribe.

Coming September 25th: A documentary about how survivors of Hurricane Helene are rebuilding their homes and local economies in Southwest Virginia.

A dream cast assembles for Strauss’s grand Viennese comedy.

The opera that announced the young Mozart’s genius to the world returns to the Met stage, with acclaimed maestro Manfred Honeck making a notable company debut on the podium.

Two exciting conductors, Daniele Rustioni and James Gaffigan, take the podium to lead Mozart’s breathless and breathtaking comedy.

Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine.

Two of today’s most thrilling voices share the title role of the legendary cold-hearted princess: Christine Goerke, the Met’s reigning dramatic soprano, and superstar Anna Netrebko, making her long-awaited Met role debut after providing a hair-raising preview in 2019’s New Year’s Eve Gala.

When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.”

After an acclaimed company debut conducting the Met premiere of Kaija Saariaho’s L’Amour de Loin in 2016, Susanna Mälkki returns to lead Stravinsky’s neoclassical dark comedy.