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  • As the U.S. nears one million deaths from COVID-19, analysis finds nearly a third of those deaths could have been prevented — if people had been vaccinated.
  • Novelist Deon Meyer writes in Afrikaans and his books wrestle with South Africa's racial tensions. The most recent book translated for American audiences is Dead Before Dying. Meyer talks with Linda Wertheimer about his work.
  • Steve Inskeep talks to a 22-year-old graduate student about why he posts so much of his personal information online. Jonthon Coulson says he doesn't consider silly profiles, political views and biographical data as private or personal. He actually savors feedback from his online community.
  • At 88, Phyllis Diller has published a memoir, appears in the film The Aristocrats and has a documentary out about her retirement from stand-up comedy.
  • A federally subsidized telephone service uses the Internet to link deaf and hearing callers, but the service is plagued by pranksters and outright fraud. Even businesses are getting scammed.
  • Ian McEwan talks about Saturday, which tracks a neurosurgeon over a single day. McEwan says the parallels to Virginia Woolf and James Joyce may seem obvious in limiting a narrative to 24 hours, but he was more influenced by Saul Bellow and John Updike.
  • High deductibles, copays and health care costs are fueling a massive debt crisis in the U.S. In our ongoing investigation into medical debt, we look at ways to stay out of the health care debt trap.
  • Actor, director and photographer Leonard Nimoy talks about his new book, The Full Body Project. The book is a collection of nude photographs of very full bodied women. Nimoy speaks with Scott Simon.
  • Through photos and writings documenting poverty in New York City in the late 19th century, a Danish immigrant became a famous campaigner against slum housing. Two new books tell the story of Jacob Riis, a social reformer and natural showman.
  • A new book tells how Han van Meegeren committed the greatest art hoax of the 20th century, passing off his paintings as works by Jan Vermeer. He fooled experts and collectors, pocketing the equivalent of $30 million before he was unmasked.
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