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  • The composer of Breaking the Waves speaks candidly about equity in her field, the importance of role models and the unglamorous side of writing music every day.
  • Trump lost the election, but remains popular among Republican voters. New Yorker writer Nicholas Lemann talks about how the GOP might deal with the changes Trump made to the party's ideology.
  • The Brazilian singer Flora Purim helped create the sound of jazz fusion. Now, as she releases what she says will be her final album, it's time to give her artistic legacy its due.
  • With Hüsker Dü, Mould helped invent alt-rock, and he's kept innovating ever since. "For so many years, I ran away from my own sound," he says. At 53, he's caught up to himself.
  • In 1993, Adam Duritz and his band Counting Crows took roots-rock to new heights with their debut August and Everything After. More than 30 years later, they offer a new album, cut from the same cloth.
  • Having a song go viral is usually good news for an artist. But as politicians become more social media savvy and jump in on viral trends, how can musicians respond if they don't like the way a party or administration uses their song?
  • A year ago, on Aug. 14, 2024, the World Health Organization declared mpox a Public Health Emergency of International Concern. Why are health experts so frustrated by the world's response?
  • Should you skip the bedtime stories and do math problems instead? Laura Overdeck, the founder of "Bedtime Math," thinks so. Overdeck discusses her program for tucking kids in with equations, and tells why she thinks it helps kids keep up their math skills over summer vacation.
  • It used to be easy to buy a light bulb. But the transition to more energy-efficient lighting means choosing from an array of products. We help you navigate the world of the 21st century light bulb.
  • Two centers of culture are in conflict on the banks of the Thames in London. One is the world renowned South Bank Center of the Arts, with four resident orchestras, including the London Philharmonic. It also has conservatories, the Royal Festival Hall, the Hayward Gallery and the Queen Elizabeth Hall. The other cultural landmark is the Undercroft, a dark, concrete cavern, covered in graffiti, that lies beneath the Arts Center and looks out on to the Thames. It's the birthplace and temple of British skate boarding. For forty uninterrupted years it has been hallowed ground for those who regard skate boarding as an art form every bit as legitimate as anything performed in the concert halls above. But now the South Bank Arts Center is trying to force the skateboarders to a different location, so the Undercroft can be leased to restaurants. And the skate boarders are mobilizing to resist.
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