Community Calendar

Luke Combs is taking the stage at the University of Virginia’s Scott on April 4th, 2026! Come see him, along with Jake Worthington, Dierks Bentley, Ty Myers, and Thelma & James!

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

Come learn the sport of rugby while getting fit and making great friends. All are welcome. No experience necessary.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

A quick glance of Jeff Dunham’s childhood photos reveals the milestones of youth—birthdays, graduations, awkward first dates… very awkward first dates. Nothing unusual – except for the fact that in almost every photo, he’s joined by a dummy seated on his lap. Literally.

Luckily for Dunham—and the millions of fans who continue to be entertained by his suitcase posse worldwide—those early wooden characters were a hint of the spectacular career to come.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

During the Civil War, the utility and widespread availability of opium and morphine made opiates essential to wartime medicine. After the war ended, thousands of ailing soldiers became addicted, or “enslaved,” as nineteenth-century Americans phrased it. Veterans, their families, and communities struggled to cope with addiction’s health and social consequences. Medical and government authorities compounded veterans’ suffering and imbued the epidemic with cultural meaning by branding addiction as a matter of moral weakness, unmanliness, or mental infirmity. Drawing from veterans’ firsthand accounts as well as mental asylum and hospital records, government and medical reports, newspaper coverage of addiction, and advertisements, Jonathan S. Jones unearths the poorly understood stories of opiate-addicted Civil War veterans in unflinching detail, illuminating the war’s traumatic legacies. In doing so, Jones provides critical historical context for the modern opioid crisis, which bears tragic resemblance to that of the post–Civil War era.

Come learn the sport of rugby while getting fit and making great friends. All are welcome. No experience necessary.