The unofficial anthem of New York City is “Empire State of Mind,” the Jay-Z song with that unforgettable hook, sung by Alicia Keys. So it was only fitting that when New York celebrated the Knicks’ N.B.A. Finals victory, Keys took the stage at City Hall to sing it. It was a classic New York moment, for an artist who is herself a true New Yorker. In her musical, “Hell’s Kitchen,” Keys uses her songs to tell the story of a teen-ager growing up, like Keys, in the titular Manhattan neighborhood, near Times Square—a “place of the have-nots,” as she told David Remnick, with “this unique balance between that grime, and the potential of Broadway.” They spoke when “Hell’s Kitchen” was in previews; it went on to win two Tony Awards, and recently began a national tour. This segment originally aired on March 29, 2024. Further reading: “‘Hell’s Kitchen’ Brings Alicia Keys’s Musical Power to the Public,” by Helen Shaw New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Washington Roundtable is joined by Jeff Stein, the veteran political reporter and founding editor of the newsletter “Spytalk,” to examine Donald Trump’s appointment of Bill Pulte as the new acting Director of National Intelligence, a position that, in theory, oversees the C.I.A., N.S.A., F.B.I., and fifteen other agencies. Pulte has no intelligence background and no national-security experience, but does have a track record of going after the President’s perceived enemies. Plus, the panel discusses a recent Washington Post investigation that raised new questions about the outgoing director, Tulsi Gabbard, and her alleged ties to a religious cult. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Americans tend to see the Declaration of Independence and the Revolutionary War as milestones in world history that inaugurated the era of modern democracy. But the British, unsurprisingly, see these events quite differently. David Remnick talks with the historians who host the popular podcast “The Rest Is History,” Dominic Sandbrook and Tom Holland. Growing up in Britain, Sandbrook explains, the Revolution seemed like “a parade of quite boring men talking very earnestly about liberty, [with] battles that involved twenty people in a field somewhere. . . . It’s not Waterloo!” The King was “annoyed” to lose the thirteen colonies to the new nation, but, for his government, “it could have been a lot worse.” Sandbrook and Holland discuss historical events that overshadow the American Revolution in the British mind; the 1619 Project and the subject of slavery; the “colossally consequential” Presidency of Donald Trump; and the fate of the British monarchy. Further reading and listening: “The American Revolution Wasn’t the Main Event,” by Daniel Immerwahr America at 250, a special issue of The New Yorker “Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore “Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore “We Could Have Been Canada,” by Adam Gopnik New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that’s what makes a great blockbuster.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The former Secretary of State Hillary Clinton sat down with David Remnick at the 92nd Street Y, in New York, on Monday evening, after the Trump Administration announced a memorandum of understanding to end its war in Iran. Remnick asked whether the United States lost this war. “Yes,” Clinton replied. “The United States has come out weaker. Iran has come out stronger.” According to Clinton, Israel repeatedly tried to pressure the Obama Administration into backing a similar action in Iran, but she didn’t take the bait. “They would say things like ‘Our planes are on the tarmac,’ ” Clinton recalled. “And I’d say, ‘Well, good luck. Great. Why are you doing this?’ ” They also discuss Joe Biden’s decision to run for a second term, and its fateful consequences. “He made a terrible mistake,” she said. Had Biden stayed with his plan of serving for one term, “I believe whoever emerged . . . would have beaten Donald Trump.” Further reading and listening: “Hillary Clinton on the Psychology of Autocrats,” an episode of The Political Scene “Hillary Clinton Explains What Happened,” an episode of The New Yorker Radio Hour “The Broadway Life of Hillary Clinton,” by Michael Schulman “Curtis Sittenfeld’s ‘Rodham’ Offers the Catharsis of Uncomplicated Regret,” by Nora Caplan-Bricker New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The sports journalist Pablo Torre recently won the 2026 Pulitzer Prize for audio reporting for an investigation on his podcast, “Pablo Torre Finds Out.” Torre talks with David Remnick about the challenge of investigative reporting in professional sports—where leagues, owners, players, and sometimes even fans don’t welcome hard questions. “As much as I am doing that and urging people to join me in the pool,” he says, “it kind of feels like I’m the guy who is the proverbial turd” in that pool. But as private equity invests massive sums in teams, he says, the work is even more necessary—and that fans do care when misdeeds are revealed. Further reading: “Lessons in Fanhood from the Knicks,” by Vinson Cunnigham “The Knicks: The Only Game in Town,” by David Remnick New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Rachel Goldberg-Polin’s son, Hersh, was taken hostage by Hamas on October 7, 2023, she became a prominent spokesperson for the families of Israeli hostages. Throughout Hersh’s captivity, and then after his murder, Goldberg-Polin, who was born in Chicago and emigrated to Israel in 2008, argued that Israel’s priority should be to bring the hostages home, and that the killing of all innocents, Israeli and Palestinian, must stop. She advocated with Israeli politicians, Pope Francis, and other leaders, and she addressed the Democratic National Convention in 2024. She recently spoke with David Remnick about her new book, “When We See You Again,” and how she has continued her work as a public figure despite unending grief. “People are desperate for us to be angry . . . to feel things that I think that they assume they would feel if they were in the position that we are in. But the truth is, I’m open to feeling anything,” she reflects. “I put Hersh in the ground on September 2, 2024. After that, I’m in a completely different universe.” Further reading: “Gaza’s Broken Politics,” by Mohammed R. Mhawish “The End of Israel’s Hostage Ordeal,” by Ruth Margalit “Why Hamas Agreed to Release the Hostages,” by Isaac Chotiner “Hope and Grief in Israel After the Gaza Ceasefire Deal,” by Ruth Margalit New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In April, the four crew members of NASA’s Artemis II mission were the first humans to ever glimpse something that cannot be seen from Earth—the so-called dark side of the moon. The mission’s commander, the former Navy captain Reid Wiseman, is fifty years old, which also makes him the oldest person ever to travel beyond low Earth orbit. Wiseman sat down recently with the New Yorker contributor David W. Brown. They talked about the challenge of NASA returning to the moon after many decades, Wiseman’s struggle to parent his two daughters while training, and the strangeness and beauty of returning to Earth. “One thing that really did surprise me was how quickly Earth gets so small out the window,” Wiseman explains. “It’s like a fingernail, almost; the size of a quarter. It’s just impossibly tiny out there. There’s a little tiny super-bright crescent of an Earth.” Further reading and listening: “The Leader of NASA’s Artemis II Mission Is Still Moonstruck,” by David W. Brown “What Will the Artemis II Moon Mission Teach Us?,” by David W. Brown “A New Era of Moon Exploration Is Upon Us,” by David W. Brown New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jack Schlossberg, the grandson of John F. Kennedy, was one of a number of Kennedy family members who spoke out against the policies and the character of Robert F. Kennedy, Jr. Schlossberg became a public figure on social media, often trolling the right, doing his imitation of Vladimir Putin, or claiming that Usha Vance was carrying his baby. But, when Schlossberg decided to run for an open seat in Congress, critics pointed to his lack of experience in governing, or even holding a job. In some ways, Schlossberg seems a test case for how social-media influence may translate into electoral politics. “I understand that content creation is a new profession, and that it’s not synonymous for many people with a quote-unquote real job,” Schlossberg tells David Remnick. “I think that my experience is exactly what the Democratic Party needs right now from candidates.” Further reading: “How a Congressional Primary Became a Proxy Battle Over A.I.,” by Gideon Lewis-Kraus “ ‘Love Story’ Is a Forgettable Elegy for Gen X,” by Doreen St. Félix “A Battle with My Blood,” by Tatiana Schlossberg New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a guest appearance on WNYC’s “Brian Lehrer Show,” David Remnick, who hosts the New Yorker Radio Hour, discusses the Democratic Party’s identity crisis and the candidates vying in the midterm elections; the late newspaper magnate Donald Newhouse, and the importance of editorial independence in journalism; Remnick’s upcoming live taping at the Tribeca Festival, with “Pod Save America” ’s Jon Lovett, on June 10th; and, most important of all, the Knicks. Join David Remnick and Jon Lovett at the Tribeca Festival. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.