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In The War Lovers, Evan Thomas tells the story of how a few men, led by future President Theodore Roosevelt, helped to provoke in the American public a fervor for combat that led to the 1898 Spanish-American War.

Stieg Larsson's Millennium Trilogy has taken U.S. readers by storm. Not since the arrival of Ikea on these shores has Sweden made such an inroad into the American home and imagination. But critic Maureen Corrigan says the impressive "Ice Age" of Nordic mystery writing is well under way.

The Daily Show's senior correspondent opens up about her crush on Jesus Christ, her introduction to sex and her ability to coax total strangers into conversation on national TV — all in her new memoir, I Know I Am, But What Are You?

Linda Greenlaw took a decade off from commercial fishing, but the siren call of the deep blue water drew her back in. The only female swordfish boat captain in the United States recounts her latest adventure at sea in a new memoir, Seaworthy.

Author Anthony Horowitz loves nothing more than when a young fan asks him to sign a battered copy of a book in his Alex Rider series — young adult fiction featuring a skateboard-riding teen spy. When it comes to his favorite thriller, he recommends Ian Fleming's "Crime de la Crime" in Goldfinger.

A new biography tells the story of Buck's Chinese childhood, as the daughter of zealous missionaries. In Pearl Buck in China, Hilary Spurling makes a compelling case for a reappraisal of Buck's fiction — transforming her from dreary "lady author" into woman warrior.

His third novel, Super Sad True Love Story, is a black comedy set in a futuristic America — where books don't exist and where the economy has collapsed. Shteyngart explains why he decided to write a love story in this dystopic vision of the future — and why he thinks technology is changing the way we think.

Adam Langer's enigmatic new novel, The Thieves Of Manhattan, twists and turns like a Mobius strip. The author speaks with Liane Hansen about his myriad influences, his love of puzzles, and how his novel simultaneously skews and celebrates the industry of literature.

In a new memoir, Pulitzer Prize-winning poet Natasha Trethewey revisits her own memories of the Gulf Coast region, and details how members of her family worked to rebuild their lives after the storm. She asks how the identity of the Gulf will be remembered — and how the region's stories will be told.

"This is a question of black body versus black brain," says sports writer Howard Bryant. "In the United States, the black body has always been what's been compensated."