Community Calendar

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

Jake McCord, a self-taught artist from Georgia, frequently said that making art was something he did “just for fun.” He lived and worked alone and considered his art to be “company” – Once a painting was complete, McCord would install it on his front porch to share the work with the community, engaging passersby and sparking conversation.

McCord’s works are products of his imagination and his unique vision of the world. Looking at his paintings is an invitation to enter McCord’s lively and colorful world and a reminder that anyone can express themselves through creating art. "Jake McCord: Jolly Company" is on view at the Eleanor D. Wilson Museum August 13 – November 14, 2026, and is on loan from Chris Ross and Traveling Art Exhibitions. Please go to Hollins.edu/Museum to find our open hours!

Please also join the Eleanor D. Wilson Museum for a community workshop inspired by McCord's paintings on Friday, October 23rd from 2-4 PM on the front plaza outside the museum.

Image Credits: Jake McCord, "Untitled (Purple Dog with Ball)," 1998. House paint on found wood, 20 x 15 inches. © Private Collection.

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Join bestselling historian H. W. Brands for the 2026 J. Harvie Wilkinson, Jr. Lecture on the life and leadership of George Washington.

From George Washington’s early military career and role among the Virginia gentry, to his leadership during the American Revolution and reluctant return to public service as the first president of the United States, American Patriarch brings to life the man who was called on time and again by his peers to lead. With a dazzling cast of characters—from the French and Indians on the Ohio frontier; to the Marquis de Lafayette, Benedict Arnold, and Baron von Steuben on the revolutionary battlefield; to Thomas Jefferson and Alexander Hamilton locked in conflict during his presidency—Brands’s new biography casts George Washington as the icon of American virtue who wrested America free from British control, gave credibility to the Constitution, and crafted the norms that would steady America as a nation for generations to follow. Arriving in time for the 250th anniversary of American independence, American Patriarch is a masterful portrait of Washington as the unrivaled leader of his times.

Dr. H. W. Brands holds the Jack S. Blanton Sr. Chair in History at the University of Texas at Austin. He has written thirty books, coauthored or edited five others, and published dozens of articles and scores of reviews. His articles have appeared in the New York Times, the Wall Street Journal, the Washington Post, the International Herald Tribune, the Boston Globe, the Atlantic Monthly, the Smithsonian, the National Interest, the American Historical Review, the Journal of American History, the Political Science Quarterly, American History, and many other newspapers, magazines and journals. His writings have received critical and popular acclaim. The First American and Traitor to His Class were finalists for the Pulitzer Prize. His latest book is American Patriarch: The Life of George Washington.

A book signing and light refreshments will follow the program.

The content and opinions expressed in these presentations are solely those of the speaker and not necessarily of the Virginia Museum of History & Culture.

Rural Idaho. Difficult Memories. An estranged father’s house to sell. From the acclaimed author of The Whale, Little Bear Ridge Road confronts issues as wide as galaxies and as intimate as family secrets.

After the death of his long-estranged father, Ethan returns to the tiny hometown he once escaped—only to find himself face to face with the only family he has left: his sharp-tongued, fiercely independent aunt. While cleaning up years of a failing family, the two are forced to confront old pain, unfinished conversations, and the orbit that keeps pulling them back to a place they want to leave.

At its core, Little Bear Ridge Road is a deeply human story about distance and return, silence and understanding, and the complicated ways families try—and sometimes struggle—to show up for each other, even when words fall short.

Performances on Wednesday (alternating 2PM and 7PM), Thursdays and Fridays (7PM), Saturdays (2PM and 7PM), and Sundays (3PM)

Ticket link: https://va-rep.org/events/little-bear-ridge-road/

Address: Virginia Repertory Theatre - 114 W. Broad St, Richmond VA
Phone: 804-282-2620

tickets@virginiarep.org

One of “the funniest plays Broadway has ever seen!” (The Huffington Post), this slapstick comedy asks if the show must go on - if the set is falling down around you. It’s opening night for the cast of Cornley Drama Society’s newest production, The Murder at Haversham Manor! But as soon as the curtain goes up, everything that can go wrong…does! Physical comedy, non-stop pandemonium, and a cast of increasingly frantic actors - it’s a night of theatre the audience will never forget - even if the cast wishes they did.

Performances on Wednesday (alternating 2PM and 7PM), Thursdays and Fridays (7PM), Saturdays (2PM and 7PM), and Sundays (3PM)