Community Calendar

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist.