Community Calendar

A quick glance of Jeff Dunham’s childhood photos reveals the milestones of youth—birthdays, graduations, awkward first dates… very awkward first dates. Nothing unusual – except for the fact that in almost every photo, he’s joined by a dummy seated on his lap. Literally.

Luckily for Dunham—and the millions of fans who continue to be entertained by his suitcase posse worldwide—those early wooden characters were a hint of the spectacular career to come.

Bingo Beer Co hosts bingo on Wednesdays from 7pm-9pm and Sundays from 3pm-5pm. It's family friendly and free to play! Let us know you're coming and make a reservation today.

This is a Weekly Recurring Event
Runs from Feb 25, 2026 to Dec 30, 2026 and happens every:
Wednesdays: 7:00pm - 9:00pm Timezone: Eastern Time (US & Canada)
Sundays: 3:00pm - 5:00pm Timezone: Eastern Time (US & Canada)

Now showing six new exhibits. The featured artists are Ryan Lytle, Tammie Comer, Ann Chenoweth, Joseph Weller, and Raana Abtahi, along with the March All Media Show, a juried exhibition showcasing exceptional work by regional artists, as well as a collaborative Bridge Project exhibit with Richmond Public Schools, the Children’s Museum of Richmond and Richard Harding. Also see 80+ working artist studios.

Visit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. Ann Chenowith’s exhibit will continue through April 12th. The Bridge Project Exhibit will continue through May 30th. All other exhibits will continue through April 18th, 2026.

During the Civil War, the utility and widespread availability of opium and morphine made opiates essential to wartime medicine. After the war ended, thousands of ailing soldiers became addicted, or “enslaved,” as nineteenth-century Americans phrased it. Veterans, their families, and communities struggled to cope with addiction’s health and social consequences. Medical and government authorities compounded veterans’ suffering and imbued the epidemic with cultural meaning by branding addiction as a matter of moral weakness, unmanliness, or mental infirmity. Drawing from veterans’ firsthand accounts as well as mental asylum and hospital records, government and medical reports, newspaper coverage of addiction, and advertisements, Jonathan S. Jones unearths the poorly understood stories of opiate-addicted Civil War veterans in unflinching detail, illuminating the war’s traumatic legacies. In doing so, Jones provides critical historical context for the modern opioid crisis, which bears tragic resemblance to that of the post–Civil War era.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

Come learn the sport of rugby while getting fit and making great friends. All are welcome. No experience necessary.

Now showing six new exhibits. The featured artists are Ryan Lytle, Tammie Comer, Ann Chenoweth, Joseph Weller, and Raana Abtahi, along with the March All Media Show, a juried exhibition showcasing exceptional work by regional artists, as well as a collaborative Bridge Project exhibit with Richmond Public Schools, the Children’s Museum of Richmond and Richard Harding. Also see 80+ working artist studios.

Visit us Tuesdays through Sundays 11am- 5pm. Admission is free and open to the public. Convenient and free parking is available. Ann Chenowith’s exhibit will continue through April 12th. The Bridge Project Exhibit will continue through May 30th. All other exhibits will continue through April 18th, 2026.

Artist Edward Steffanni explores the connections between the queer body, spirituality, and nature through ceramics, printmaking, and performance. God-Shaped Hole draws parallels between the obscuring of sexual orientation and hunting in nature as the artist considers concealability and the surveillance of the queer experience. Steffanni earned his B.A. at Mount Vernon Nazarene University and his M.F.A. in printmaking at the Rhode Island School of Design.

In conjunction with Edward Steffanni: God-Shaped Hole, “Untitled” (L.A.), 1991 by Felix Gonzales-Torres will be on loan from the Art Bridges Foundation and the Crystal Bridges Museum of American Art, Bentonville, AK.
Artist Talk & Reception: February 12, 6 PM, Hollins University Visual Arts Center Room 119
Hands-on Workshop: February 13, 1 PM, Location TBD

Exhibition opening date is subject to change due to delays from local weather. Image courtesy of Print Center New York. Photo by Argenis Apolinario.

Staunton Music Festival presents its fifth annual BaroqueFest this April! BaroqueFest 2026: La Bella Italia assembles 28 superlative musicians for a sumptuous journey to Italy, including music by Italian masters and those who traveled to and through Italian lands. Featured works include Handel's brilliant first oratorio "Il Trionfo del tempo e del Disinganno" (1707); Vivaldi's "Magnificat"; concertos by Bach, Handel, Geminiani, and Vivaldi; a celebration of music at Dresden, the "Venice of the North"; and chamber and vocal music by A. Scarlatti, Pasquini, Lully, F. Caccini, Marenzio, Corelli, Monteverdi, and many others.

All concerts feature acclaimed period-instrument performers. Nine programs include music for voices, orchestra, and chamber ensembles and feature historical keyboards. Plus enjoy a deep-dive into Handel's Italian journey with an extended lecture over coffee and dessert just prior to the finale concert.

Open practice for all divisions

Happens on the following Dates:
Apr 10, 2026,
May 1, 2026