Justin Chang

Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.

Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.

The writer-director Richard Linklater has said that he cast Cate Blanchett in his new comedy, Where'd You Go, Bernadette, because, in his words, "only a genius can portray a genius believably."

The title character in the coolly engrossing new movie Luce is a high school student who seems exemplary from every angle. Played in a remarkable performance by Kelvin Harrison Jr., Luce Edgar is handsome and popular, an academic and athletic star who gives inspiring speeches at school assemblies.

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This is FRESH AIR. Quentin Tarantino's new movie "Once Upon A Time... In Hollywood" is set in and around the film and TV industry in Los Angeles in 1969, the same year the city was jolted by the Charles Manson murders. Leonardo DiCaprio and Brad Pitt star as a TV actor and his stunt double, leading a cast that includes Margot Robbie, Timothy Olyphant, Dakota Fanning and Al Pacino. Film critic Justin Chang has this review.

The best scene in Disney's incredibly photo-realistic remake of The Lion King features a computer-generated beetle rolling a ball of computer-generated dung across a computer-generated African landscape. It might sound mundane, but this particular ball of dung is carrying a tuft of fur from the runaway lion Simba, and its eventual discovery will renew hope that the rightful king of the savanna is alive and well. It's a funny, touching reminder that in the circle of life, every little creature and every lump of waste has an important role to play.

The Farewell opens with five cheeky words: "based on an actual lie." This funny, melancholy ensemble drama was inspired by an experience that the writer-director Lulu Wang and her family went through years ago, when they were told that Wang's grandmother was terminally ill. They decided to keep her in the dark about her diagnosis, hoping to spare her unnecessary fear and anxiety — an extreme decision, perhaps, but one that the movie suggests is hardly unheard of among Chinese families.

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