Community Calendar

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

Please join us for "No Excellent Beauty: A Visible Mending Workshop" from 2-4 PM on Friday, September 25th in the Hollins University Visual Arts Center First Floor Lobby. Bring any clothing items that need to be mended and learn beautiful visible mending techniques, including Sashiko mending!

"No Excellent Beauty: Disability Aesthetics" features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult. Through their photographs, they are able to make the unseen visible.

Image Credits: Michael Van Huffel, "Sunshine," 2017-2018. Digital photograph. Image courtesy of the artist.

Join us on September 25th, 2026, from 6–8 p.m. for the exciting opening reception of our new exhibits at Art Works. Meet the talented artists, enjoy live music, refreshments, and libations sponsored by RVA Thriving Artists, and celebrate another vibrant season of creativity and community. Join us as we celebrate the opening of our new art exhibits by Sky Dai, Anna Davila, Alcova Key, Carol Gruppé, Tatiana Grace, Nathan Hosmer Nevarez, and the All Media Show by local artists. Also see 80+ working artist studios.

We’re open every day except Mondays from 11 a.m. to 5 p.m. Parking is easy at the public garage on East 5th Street, and we'll validate your ticket.

This event is free and open to the public, with convenient, free parking available. The exhibit featuring Carol Gruppé ends October 31st, Sky Dai ends November 14th, and The Bridge Project featuring Nathan Hosmer Nevarez ends November 31st. All others will remain on view through October 17th, 2026.

Rural Idaho. Difficult Memories. An estranged father’s house to sell. From the acclaimed author of The Whale, Little Bear Ridge Road confronts issues as wide as galaxies and as intimate as family secrets.

After the death of his long-estranged father, Ethan returns to the tiny hometown he once escaped—only to find himself face to face with the only family he has left: his sharp-tongued, fiercely independent aunt. While cleaning up years of a failing family, the two are forced to confront old pain, unfinished conversations, and the orbit that keeps pulling them back to a place they want to leave.

At its core, Little Bear Ridge Road is a deeply human story about distance and return, silence and understanding, and the complicated ways families try—and sometimes struggle—to show up for each other, even when words fall short.

Performances on Wednesday (alternating 2PM and 7PM), Thursdays and Fridays (7PM), Saturdays (2PM and 7PM), and Sundays (3PM)

Ticket link: https://va-rep.org/events/little-bear-ridge-road/

Address: Virginia Repertory Theatre - 114 W. Broad St, Richmond VA
Phone: 804-282-2620

tickets@virginiarep.org

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Jake McCord, a self-taught artist from Georgia, frequently said that making art was something he did “just for fun.” He lived and worked alone and considered his art to be “company” – Once a painting was complete, McCord would install it on his front porch to share the work with the community, engaging passersby and sparking conversation.

McCord’s works are products of his imagination and his unique vision of the world. Looking at his paintings is an invitation to enter McCord’s lively and colorful world and a reminder that anyone can express themselves through creating art. "Jake McCord: Jolly Company" is on view at the Eleanor D. Wilson Museum August 13 – November 14, 2026, and is on loan from Chris Ross and Traveling Art Exhibitions. Please go to Hollins.edu/Museum to find our open hours!

Please also join the Eleanor D. Wilson Museum for a community workshop inspired by McCord's paintings on Friday, October 23rd from 2-4 PM on the front plaza outside the museum.

Image Credits: Jake McCord, "Untitled (Purple Dog with Ball)," 1998. House paint on found wood, 20 x 15 inches. © Private Collection.

"No Excellent Beauty: Disability Aesthetics" is a two-person show that features the work of photographers Kristen Olinger and Michael Van Huffel. Both Olinger and Van Huffel work in the medium of digital photography to engage in self-portraiture as a means to process living with late onset chronic illness and disability. Neither artist carries visible signs of their illness, which can make describing their challenges and experiences more difficult, but through their photographs they are able to make the unseen visible.

The Eleanor D. Wilson Museum has partnered with Clovernook Center for the Blind and Visually Impaired to provide braille printings of all text included in this exhibition, as well as Swell Touch prints of a selection of pieces for all to feel and enjoy.

Image Credits: Kristen Olinger, "Opulent Dolls," digital photograph, 2025. Image courtesy of the artist.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.