Community Calendar

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

One of “the funniest plays Broadway has ever seen!” (The Huffington Post), this slapstick comedy asks if the show must go on - if the set is falling down around you. It’s opening night for the cast of Cornley Drama Society’s newest production, The Murder at Haversham Manor! But as soon as the curtain goes up, everything that can go wrong…does! Physical comedy, non-stop pandemonium, and a cast of increasingly frantic actors - it’s a night of theatre the audience will never forget - even if the cast wishes they did.

Performances on Wednesday (alternating 2PM and 7PM), Thursdays and Fridays (7PM), Saturdays (2PM and 7PM), and Sundays (3PM)

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.

Marks of Memory examines time, data, ancestry, and personal experience through the work of three contemporary artists—Veronica Jackson, Annette Lawrence, and LaRissa Rogers—who question what stories get told, who gets remembered, and what data gets counted and recorded. Highlighting printmaking and patterning as physical processes and systems of communication, this exhibition explores how personal and collective histories are remembered, preserved, and disseminated.

One of “the funniest plays Broadway has ever seen!” (The Huffington Post), this slapstick comedy asks if the show must go on - if the set is falling down around you. It’s opening night for the cast of Cornley Drama Society’s newest production, The Murder at Haversham Manor! But as soon as the curtain goes up, everything that can go wrong…does! Physical comedy, non-stop pandemonium, and a cast of increasingly frantic actors - it’s a night of theatre the audience will never forget - even if the cast wishes they did.

Performances on Wednesday (alternating 2PM and 7PM), Thursdays and Fridays (7PM), Saturdays (2PM and 7PM), and Sundays (3PM)

Persian/Iranian-American artist Maryam Safajoo works in oil on linen, creating intimate and vulnerable narrative paintings. Safajoo documents the stories of the Iranian Bahá’í community’s systematic persecution after the 1979 revolution—stories that are often erased, silenced, or preserved only in the memories of those who endured them.

Many of the incidents she depicts only exist in the memory of those who experienced them and have no pictorial evidence. Through conversations, interviews, and archival research, she reconstructs these histories with meticulous detail, incorporating the clothing, artifacts, and environments that were present at these events. 

Through her work, Safajoo reflects on a world free from prejudice—one where people are not judged by their beliefs, gender, identity, race, or social status.

Maryam Safajoo: The Dream of Freedom will be on view at the Eleanor D. Wilson Museum from August 6 - December 12, 2026. 

Please be sure to join the Eleanor D. Wilson Museum for Safajoo’s artist talk on Friday, September 18th at 6 PM in the Richard Wetherill Visual Arts Center, Room 119.

Image Credits: Maryam Safajoo, As Leaven to the World, 2024. Oil on linen, 24 x 20 inches. Courtesy of the Artist. 

Mallory Zondag, award-winning artist and educator living in New York, uses fiber arts and sculpture to explore the natural world and how it relates to the physical body and the human experience.

She explores deeply personal and connective universal stories through the meditative and hands-on practices of wet felting, weaving, sculpting, and stitching, seeking to bring the ephemeral into physical being. 

This exhibition of work includes a site-specific installation at the Eleanor D. Wilson Museum, which was created using hand felted wool, wax, fibers, fabrics and objects both found and recycled. 

Mallory Zondag: Transmissions from the Anthropocene, on view at the museum from July 30 - December 5, will be accompanied by an artist lecture and a series of community workshops in the Roanoke Valley.

Image Credits: Mallory Zondag, the VOID, 2026. Wood, Blackest Black in the Known Universe paint, tufted wool yarn, felted wool, wire, plastic waste, paper mache, sound. In collaboration with Peter Ossi, woodworker, and Lin Furio, sound designer.