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Rodney "The Soul Singer" Stith is an American soul singer, songwriter and record producer from Petersburg, Virginia he grew up singing gospel music in church and local gospel groups were he learned to play the piano from his Grandfather and the guitar from his Uncle. He started writing and producing his own musical composition at a early age., after being in several local bands and groups as a vocalist and a musician Rodney turned his attention and his talents to producing, a passion that was driven by successful works with national recording artist Tyra B., also a native of Petersburg. Their collaboration landed them on the Destiny's Childs "The Destiny Fulfilled Final Tour" for 6 months of 2005., as personal assistant and advisor. After the tour Rodney started to focus more on his career as a solo artist, and teamed up with a independent hip-hop and soul music supergroup sensation called "The Soul Logistics Radio" which introduced him into the world of radio as a radio personality at a local and college radio stations. In 2012 he released his debut album titled "The Soul Survivor" a mix-soul composition that started the journey of the Soul Retro Sound. Rodney's titled track "April Showers" was featured in a documentary film on the life of Muhammad Ali titled "The Last Punch". He's currently working on his new project titled "The Soul Chronicles of Rodney Stith" due out in 2020 on his self proclaim production company- Prolific Soul Music Group© with the first single release"The Blueprint" *a love testimony,* available now on all music platforms.Rodney was named and awarded Artist of the Year by the Grand Jury of Music for 2018 & 2019 by the Richmond International Film and Music Festival, the only recipient to win the award back-to-back years.
"Never stop Dreaming, and allow your Dreams to be the road map to navigate Your Success!"#keepdreaming
What is the measure of a man? How does one define it in the case of Richmond, Virginia multi-talented Jon Bibbs? Is it through his upbringing? What of one who was chosen during his toddler years to tenaciously grow into a consummate singer-songwriter, multi-instrumentalist, educator, family man, and community leader as Bibbs has? Reared by educated, religiously devout parents who loved him enough to adopt him and pray for his talent right from the start, Bibbs experienced early grace. To be carried and molded by good stock who had the discernment to follow ordered steps to the esteemed door of music teacher Susan Trotter at Virginia Commonwealth University who took a curiously patient three-year old Bibbs under her tutelage, training the prodigy under the Suzuki method before he’d fully even learned how to write his own name.
Maybe one measures the man by the discipline of a boy who practiced his Gladwell hours from VCU and Sixth Baptist Church right to the major stages of Richmond, sharing the spotlight with everyone from the Richmond Philharmonic to gospel superstars like The Winans before he’d even entered high school? Maybe it’s by the humility of one who’d played with marquee talent, but who still understood there was more to be learned by playing in his school choirs and bands, openly soaking in the lessons in tuba, trumpet, trombone, upright bass, French Horn, and, of course, piano from peers and elders alike right to the Historically Black institution, Hampton University, on a trombone scholarship. There the Hampton Man was further refined into the focused and dignified man of Southern gentility, measured strength, and quiet masculinity that displayed itself not through bravado and untilled hope, but through its talent, intellect, and works.
What is the measure of an artist? And, how does one measure the art of Jon Bibbs? Is it through influences as varied as saxophonist Lester Young, opera singer Maria Callas, and funky multi-instrumentalist native son Michael “D’Angelo” Archer for music touched by everything from gospel quartet to the classical? Is it through the telling generosity of a man whose first album, True Story in 2001, was not even for himself, but for the engineering studies of a producer friend? Maybe one assesses an artist through the sheer volume of quality output with five well-received projects released over the last fourteen years, including Red in 2003, the critically acclaimed breakthrough album that is the internationally beloved Unbreakable in 2005, the adventurous and deeply personal heartbreak of the iTunes and Amazon charting Ode to Old Flames in 2012 (peak: #11 & #14 R&B, respectively), the traditionalism of American Songbook standards through the minimalist Jazz Variations Live from New York in 2013. Maybe its how a self-described torchbearer honors the past of the Black American Music tradition as the stylistic Bibbs did with sell-out, one-man Iconic Men of Soul tribute shows to Ray Charles, Sam Cooke, and Marvin Gaye? Perhaps its by the creatives who’ve shared studios or stages with Bibbs that honor his name with their tongues, stars like Ledisi, Roy Ayers, Chuck Brown, Snoop Dogg, John Legend, Wiz Khalifa, Jennifer Hudson, Melanie Fiona, Maimouna Youssef, Alison Carney, among others. Awards? How about SoulTracks Male Vocalist of the Year nominee in 2012? Stages? Bibbs has done everything from S.O.B.s in NYC to the Howard Theater in DC. Does one measure an artist by his creative and technical abilities as a quadruple threat: writer, producer, composer, and multi-instrumental musician who has innovative songs bridging country and soul like his letter to an old love, “Nobody Loves You More,” or a long proven ability to marry jazz and soul as with his new collaboration with Dwele on “Love In Waiting?” Maybe its through his willingness to be vulnerable in an effort to take people on a journey through the continuum of Black American music as he did on his go-for-broke performance of Nina Simone’s, “I Put A Spell On You,” from Ode to Old Flames. By any of those measures, Bibbs is as accomplished an artist, as he is enviable a talent.
What is the measure of a leader? More than an A-list peer of Black Independent Soul Music Movement vets like Bilal, Eric Roberson, Anthony David, and Conya Doss, Jon Bibbs is a well-respected educator and senior administrator. Just a few years after college, Bibbs was committed to take over for his mother and Richmond Prep founding principal, Dr. Mary Gordon West. In the years since, the determined change agent and his team has doubled both the enrollment and the physical space of the 32-year-old, Christian-based elementary academy, located in Virginia’s prestigious Richmond Museum District. The results-oriented Bibbs and Richmond Prep are also expanding from elementary school grades to include middle school, reaching multiply challenged minority youth right at the decisive age that often determines the trajectory of the rest of their lives. With a curriculum rich in ethnic pride, arts and culture, Christian principles, and academic rigor, Bibbs and his team are looking to step into that gap to substantively contribute to the restoration of the Black family, Black Arts, and the Black community in Richmond, VA as a whole. In doing so, Jon Bibbs is situated in a long tradition of the artist as advocate, educator, and voice for the marginalized in the storied legacies of such human rights leaders as Harry Belafonte, Fela Kuti, Stevie Wonder, and Nina Simone.
So, how does one measure a man, an artist, a leader, and human being like Jon Bibbs? According to the Christian principles and Black American philosophies by which Bibbs has cultivated his many talents and callings, he believes by his fruits you will know him. Just watch and see what fruits Jon Bibbs bears.